29 July 2012

Projection





will you be hungry?

my daughter                                    i’ve never met you.

                                                                                                 
                                                                       
                                                                                    that i could hold you

                                                            know that love greater
                                    than god’s woven hands

my ocean breadth span dawn to dusk, the horizon sounding off
         silent              appendage

                                                                                                                        contraction—

i can’t
            see you

                                    but I hear you in the black ground

                                                                                                fever pitch summer
                                                                                    coarse sand
                                                the white wooden lifeguard stands resilient in their watch
                        without a person to hold them down.

i slip soundless into shudder under
                                                        gurgle sand
                                                        eat nettles                        gulp
                                                                                                them down

and shit them out as clams—
                                                            divide me on the way out.

you cry for me in my walking dream womb.
                                                                                    i can almost see your soft fingers
                                                                        wrapping one of mine.

                                                            you are so small

                                                                                                                        and so am i
next to the mountains.
                                    we climb the sky to know our size—

                                                                                                this supersedes all thought.
your father’s graceful crop                        green

                                                                        until the alpine cease
                                                                                           to grow—
                                                                                                             we are above the line.

there is no daylight savings time in arizona.
o navajo
o diné
we are sorry.

we are in colorado.
we are sorry.

                        my father stepped on this land
                                                              his father too
                                                                   stretching
                                                backward

we do not know them.

                        my grandfather was adopted
                                   and there is no record
                                               of his heritage.

the grass in your father’s backyard is the sweetest part of him

the glaciers permanent
in his basin

drain into a lake at the head of the arkansas river
                                                flows to the mississippi
                                                                                               
passes new orleans
                                                                                                goes into my ocean—

the head wind
                        hail in july in new york city

                                                                        the car windows plummet
                                                                                    down boulder shingle highway.

where are you now, daughter?

                                                i do not forget you.
                                                i will raise you strong

standing horse on the ridge
                                                and the tide
                                                and the snow all around us—

                                                            big sur should be on our way to alaska.

daughter, your father and i are talking.
           



Grail




Heaven rejected me
to sing with Mary.

I was under Him,
the lawn
morning yawn and roar,
mountain mane
heavy in last night
sweat
            dread
                        lock—

stare at Him
while He’s asleep,
            eyes of Holy water.

He’s a wide-open meadow,
a duck and a sparrow
white weather marrow
a feather
a hawk
            circle skyward.

His words have a hold on me
            keep me down here
            watching Him
            shine on me
bold streams between
            the shadows of clouds
on the mountain.

Smile, dear, love me,
            hold me always
and I’ll remember
to change the headlight,
move the valley
and keep singing—
            it’s not for me.

Heaven forsakes me—
            forget-me-not
                        cluster of pure
                        umbrella
the soft petals of my ovary,
southpaw beating
heart between my knees—
            my head is eating me.

I am blue grass,
a boot heel
stomping a wooden floor,
the sawdust, the radishes,
dirt in my nails
compost, eggshell
coffee, manure—
                        makes me think of home,
                        the smell—

O Harford haystack,
carry me tractor pull
mosquito melt the purple lights.

Sometimes, I fear love.

Heaven forgets to hold me,
sings with other women
and swans.

Leda and Mary hold hands
in the dark,
whisper sister secrets
about His flaws,
            how they are perfect
and bloody.

He’s not registered.
He’s an anarchist.
I will praise Him
like I should.

Marry me, Jesus—
            a name preceding
            all sexuality.
He is so deep in me
that man must seek Him
to find me,
            lost
            stumbling through Eden
like a wet mountain lion—

I am more powerful than I know,
more Holy each day
I grow corn,
shuck and boil
my skin.

Heaven gnaws me,
leaves my bones to rot
on the rusty banks
of Lake Meredith—
            erode to sacred dust.

I drift in the hazy place
between atmosphere
and outer space.

I fall over Pacific,
land in Atlantic
            grit
                        ash
                                    and sand
entwined in my hair
tumbling, a child in the waves
under water
circular motion
            Heaven’s great washing
            machine on cycle.

Dry me on the beach
on a clothes line
            the linen
            bleached in the sunlight.

Speak, Heaven,
            teach me how to know You,
Your grace slipping down
between my cries—
            copper deposits
            hide in the crust—

He’s into me.

O Eden, You elude me,
Heaven’s musk
                        harmonium
                        baritone—
hold on, kiss me,
            Heaven.

19 July 2012

Naropa Workshop with Anne Waldman, June 28, 2012



Tension with collaboration—use it
Thurston is Jesus 
we could start
talk for five minutes
Bowery Poetry Club
a song called Burroughs
Radio Lab NPR
morning? what, it’s morning?
consociational, from anthropology
Clifford worked in Indonesia
together with an association
how we interact, to see this map
we’re all plant forms at different stages
of our lives but we’re intersecting
in points of exchange
junctures contribute to the sense
of the net
the gongs are going in a circular pattern
everyone on separate cycles but
playing together
intergenerational
intercultural
scientific term, consociational
Rachel, just to be in her presence
immersion, saturation job
Ed Sanders
1968
I’m still in contact with two years
a push for me
warrior poets
BP oil spill
Interfaith movement
working with prisons
continually coming together
get those mantra rehearsed
immersive
subversive
subliminal
different ways to communicate content
go to old work and view it differently
Erasmus Darwin
Elizabeth Willis
mutual support
intentional community
troubles but expanding
indigenous solutions to global
climate change
here’s my poem and license
expanded realm of discourse
when in doubt, conjure the hybrid
sharing space
feel the life pulse
earnest celebration
outrageous exuberance
and then we go back to our lives
and the culture is shutting down
more and more on us
we don’t have many pockets left
keep us healthy by reaching
fear that the tap water
will make me infertile
domination of water worldwide
where’s all the water?
in bottles
the root of history
to find out for oneself
counter to the master narrative
surveillance
susveillance—up from under
empowering
larynx

Document 37



The difference between us
is the space between us.

Our speech is broken
barred—bark—me—
and you—are not
here.

You hold me—
my brothers’
bones
on the pavement
apocalyptic
movement
of wild dogs

fishing wire jitter
caught ground
fought down
to the last bone

my brothers’ bones
chewed up—
to nothing
but dog tags
and silencers
left.

The sand
swallows it all
to swim in purgatory
warrior night

souls—drift the cosmos
of Vietnam
of Afghanistan
Iran
all the way home
in a black bag
over
his shoulders—

take this dream
that your sleep
may at least
be peaceful—
we have
no recollection
of events—pressed
into canvas caverns
medals aligned
meticulous
as bird fly—

weather vane
iron rooster
red
and spinning
in the rain
the thunder
tumbles down
the mountains
Flatirons
Korengal
my breasts
his back
the bullet scratch
under his skin—
never punctured—but
appeared one day
as if evaporated
out of time.

The sky
is not the same sky
but always asks us
why we look at it
as if it will give us
an answer—
we don’t
even know
the question—

the meaning of memory
and distortion—intentional
forgetting—remember—

plasma souls—
hold my hand
his hands
shake all the time—

my brothers’ bones
in my hands—
I drop them
and die—
my brothers’ bones
hold me
together.

Start with a Question




He comes home and dry heaves constantly, coughs up sand and punches mirrors because they look at him funny.  He sticks his head in the washing machine and hits puree.  He says, it would be treason to not demand a revolution; the purported upholders of the constitution are abusing the privilege of state, and negating our ability to think for ourselves—the consumer welfare, worship cock and balls, and endless ass fucking.  We shit runny for days afterwards, because our minds can’t clench properly.  It takes time to sit and stare at a television and wish for a fourth meal, a hot griddle pancake and three cheesy update on the Ravens game.  He is soundless air, the tasteless odor of marble staircases in Saddam Hussein’s palaces; the perfume of belly dancers lingers in the hallway, the last filigreed normalcy—the gartered wage helmet.  When he fucks he likes a belt around his neck.  He tells me to pull it until he passes out, shudders on the bed and cums and smiles, satisfied at his ability to swallow the bitter remnants of red meat.  If it weren’t illegal, he would eat his own flesh and pluck his arteries like bass strings.  He is beautiful.  He is lost and remembered with the other realm of dark consciousness, a defeated path of reconnaissance, he prays for a renaissance all the while knowing his words are fruitless.  He dutifully carries canyons on his back, the sunken roof that holds water and drips into his eyes, blots out any question of why God allows this to exist—the moment he tries to resist is when he gets shot.

Document 66




CB radio interference—
            white noise Katrina blues echo ancestor
            down muddy metro station—
DC dives the blocks
            between Capitol Hill and Anacostia
            trash fueled well into Maryland—
Prince George’s County
            migratory monarch butterflies
            embrace Jesus, Mohammed, and Buddha—
                        look for us in compassion.
Reincarnated beatnick bitch
            beats boys with wooden bats
            smacks one out of the park
                        Cal Ripken homerun record
                        our last bastion of badass baseballery.
                                    The Natty Boh Man blinks neon
                                    at the Domino Sugar plant—
the Inner Harbor
            heavy humid fish stank stew
            particle one way streets
            grizzly beats from the Black Cat
                        warehouse for the gutter-punk gypsy-skunk
                        tattooed loosey goddess with her head half-shaved.
Urban apocalyptic resistance
            to goddamn hippie tree-huggin butt-plug poetics—
            give us a rhythm we can fuck to.
Why does the sky turn orange at night?
            Light pollution is really beautiful sometimes.
Why do our eyes go to the last mountain?
            It’s a grey residual image of our past.
How can a woman be the cloudy night that licks her hips?
            Ride God’s tongue like a scribe on the Nile.













I am alpha moon


I am alpha moon


sun slipping down between my thighs—
never mind your mother is listening.
I lose it in the bathtub,
choke down skunk bitter box wine
my inability to control
my animal intentions.
I envy one who can be so content
to commit to time honored tradition
                        and be faithful to one other self—

I will not name them
beyond the biblical Adam, who is a real man—
                        the two of us crying over our sad selves
pathetic in the parking lot
we both say thank you

a loose leaf of paper.

We laugh about it
on the hood of his car.
                        The edge of reason is ancient
on the white walls
of suburban getaway
one generation revels in the trailer park.

            Dead stars blink
                                    through the windows

                                                                        between our bodies

                                                                                                            post-millenial mud            dervish summer
            30 days home before I leave for the road.
We see each other a year later
he calls me Eve in the Dark Horse
he buys me a rum and coke and we joke about how lonely we are
            the humid dank of this bar.

I love this hour                        surpassing bond of manifest bodies

                                    become souls glowing on the overpass.

Our bones            beg            to free this container

                                                finite fleshy structure

                                                            architecture            of letters we don’t write.