This building rumbles lowly
from its belly,
shoveling
shit, incessantly as oil,
minus the refining process—
can we adjust
the ever-rising heat
on our massive debt
fueled wish-list?
for active and patriotic
disenfranchisement,
uprooted matriarchs
sit quiet cloistered
in the dark,
where the murderer
is locked inside
their heads,
and music keeps the ghosts away
fiending in the shadows
of the living room parlor
off the warbled foyer
that has nothing
on its eggshelled walls
with which to orient
one’s self in space:
the broad range
of Texas white lines
on the highway,
stretching toward
that bigger Sun
fed on steak and greens,
reaching far
as the human eye
reckons to see,
past, shining before us,
a single light
cast from some figure’s face,
is a wind mill
motionless as a snake,
waiting on ratty deserts
to unwittingly ravage
like Bosnia:
the lowlife coffins
with too long names
that prowl the dirty night,
gleaning like guns,
dragging her by a fist-
full of matted hair,
and naked,
through the riddled streets all
bare bleeding is the night
that forgives not
the wareless wanderer
ensnared rabbit
in the grey wolf
council mounted
on high grizzly peak
of cratered communism,
to the ground dropped limply
and thups upon the pack dirt floor
that Mother sweeps
for pine needles,
and ghostly reminders
of things left for dead
in the annals of our damaged lobes,
poisoned, blotted blinks
in calligraphy
brain scan:
maps authoritative
response mechanisms,
Lou Gehrig, and alpha Rosie
of a different color,
an Emperor wasted
in another fairy tale
modeled after Hans
Christian Anderson,
masturbating
to stenographic receptions
of Emily Dickinson’s
lonely moaning
in her chambers,
the four-poster of dark wood
sitting in its white damask
aproned like a cherry
over its pit plum center,
hard as almond,
seeded in soil
over sand, over
complex granite
aqueducts—
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